typography can be creative article – Canadian Art, Carl Dair, 1948
Notes
A five-page magazine article written and designed by Carl Dair where he looks at the state of typography in Canada as the country was about to move forward following the Second World War. Drawing upon his own work as well as that of students and professional designers, he shows how typographic design in Canada was changing. Dair also speaks about the problems in stimulating a new approach to design, one that is both functional and aesthetic, without slipping from the truly modern into the mere fad of the ‘modernistic’.
This article uses material from the first three booklets Dair had prepared for the E. B. Eddy Company. It should be noted that the page numbering in magazines was carried across all issues in a volume, resulting in unusually large page numbers, this issue is Number 4 in Volume V. This was also the fifth anniversary issue of Canadian Art; it is hard to imagine that in 1943, at the height of the Second World War, they would have been able to launch an art magazine. – Rod McDonald
Artifact Text:
typography can be creative.
type families | type specimens | display types | texture | harmony | spacing | contrast | copy fitting | paper selection
a discussion | of design trends | in canadian | printing | by carl dair
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Category
PublicationsTitle
Typography can be creativeDate
1948Publication
Canadian Art, Vol. V, No 4, Spring-Summer issueCredits
Design: Carl Dair (1912–1967)
Author: Carl DairPrincipal Typefaces
Cover: Ultra Bodoni Italic, Bodoni Bold
Display: Spartan (Linotype Futura), Linotype Janson Italic
Text: Linotype JansonDescription
Magazine article, 5pp
Size: 7.5 × 10 inchesRegion
QuebecLanguage
EnglishImages
3Holding
Canadian Typography Archives -
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